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Michele Giambono (Michele Giovanni Bono) – The Man of Sorrows – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436498

Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
B[attista]. Cavalcaselle. 2nd ed. [1st ed. 1871].

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Pair of bird-shaped handles – Iran – Iron Age II, Hasanlu Period IV – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/325138

1960, excavated under the direction of Robert H. Dyson Jr. on behalf of the Hasanlu Project sponsored by the University Museum of the University of Pennsylvania, the Archaeological Service of Iran, and The Metropolitan Museum of Art; acquired by the Museum in 1961, as a result of its financial contribution to the excavations
Constantine Sidamon-Eristoff Gift, 1961 Object Number: 61.100.3a, b 1960, excavated

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Vision of Saint Germain of Paris – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471987

From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris (closed February 1792; panels possibly removed by November 25, 1796; chapel destroyed 1802); [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
New York: The Metropolitan Museum of Art, 1975. p. 18.

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