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Bramantino (Bartolomeo Suardi) – Madonna and Child – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435768

Bartolomeo Suardi was known as Bramantino after his contemporary in Milan, the great architect Bramante (1443/44–1514); his abiding interest in perspective and architecture, reflected in the background of this rare, private devotional painting, comes from that source
B[attista]. Cavalcaselle. 2nd ed. [1st ed. 1871].

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The Cloisters Cross – British – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470305

Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
Forsyth, William H., and Margaret B. Freeman.

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Jean-Baptiste Greuze – Broken Eggs – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436579

Greuze was of modest birth, the son of a roofer. He received his early training in Lyons and in Paris studied drawing with Charles Joseph Natoire. In 1755, after he was accepted as a candidate member of the Académie Royale de Peinture et de Sculpture in the category of genre painter, Greuze presented five works for exhibition at the Salon
B. Greuze." Les artistes célèbres.

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