Each of Moretto’s rare portraits of the 1520s and 1530s demonstrates his innovative approach to the genre, culminating in the outstanding Portrait of a Man (National Gallery, London, NG 1025) of 1526, one the earliest full-length, life-size, independent portraits in Italy
B[attista]. Cavalcaselle.
From the former choir screen of the Cathedral of Strasbourg; C. Joret, Paris ; [ Henri Daguerre, Paris ] ; J. H. Fitzhenry (until d. 1913) ; his sale, Christie, Manson and Woods (November 18-19, 24-26, 1913) ; [ Alphonse Kann French, Paris (1/2 interest sold 1933)] ; [ Demotte Inc
P. Dutton, 1970. p. 258. Boccador, Jacqueline.
De Boccard, p. 165, pl. CXXVI, fig. 1102. Harper, Prudence O. 1969.
London: Harvey Miller Publishers, 1972. no. 125, p. 147, fig. 228.
Bonne of Luxembourg (d. 1349) ; Charles V, King of France (by descent, d. 1380) ; Ambroise Firmin-Didot, Paris (until 1882) ; his sale, Hôtel Drouot, Paris (June 12–17, 1882, no. 3) ; Baron Horace de Landau, Florence (d
XIX b, c. Meiss, Millard.
Boston: Museum of Fine Arts, 1940. no. 168, p. 53. Freeman, Margaret B.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Heckscher, Seán Hemingway, Herbert Heyde, Timothy B.
Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
–B. de La Faille. "Unbekannte Bilder von Vincent van Gogh."
Emile Gavet, Paris (until 1897) ; his sale, Galerie Georges Petit, Paris (May 9–June 9, 1897, no. 327) ; Paul Casimir Garnier, Paris (1897–1916) ; his sale, Hôtel Drouot, Paris (December 18–23, 1916, no
Wasmuth, 1922. p. 8, pl. 45c. Goldschmidt, Adolph.
