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Giuliano de‘ Medici by Andrea del Verrocchio

https://www.nga.gov/artworks/134-giuliano-de-medici

Verrocchio, a favorite artist of the Medici, may have created this lively and commanding portrait on the occasion of a joust that took place in 1475 in Florence for Giuliano de‘ Medici’s coming of age. The bust was originally painted and possibly adorned with a metal helmet and other decoration, projecting an exuberance especially evident in the winged face modeled on Giuliano’s fanciful armor.
Boston, 1937: repro. opposite p. 22. 1941 Preliminary Catalogue of Paintings and

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The Coronation of the Virgin by Master of the Washington Coronation

https://www.nga.gov/artworks/41702-coronation-virgin

This Coronation of the Virgin may be the first time the subject, which originated in the West, appears in Venetian art. Some of the earliest representations were carved above cathedral doorways in France—and certain elements in the Gallery’s painting—its elaborate halos, for example—share in the decorative elegance of Gothic art.
Venice, 1971: 23, 24 (repro.), 30-31. 1972 Fredericksen, Burton B., and Federico

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The Descent from the Cross by Dutch 17th Century, Constantijn van Renesse

https://www.nga.gov/artworks/1200-descent-cross

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
1996: 178, 194, pl. 36, color. 2011 Keyes, George S., Tom Rassieur, and Dennis P.

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