Each month, join us for a fun and relaxed experience featuring art making, films, and a variety of special pop-up activities. All activities are free, and most are first come, first served. Some activities require registration.
concert series returns with a variety of performances including jazz, Latin fusion, R&B,
Venus, as if filled with foreboding about Adonis’s fate, desperately clings to her lover, while he pulls himself free of her embrace, impatient for the hunt and with his hounds straining at the leash. The goddess’s gesture is echoed by that of Cupid, who anxiously watches the lovers’ leave-taking while clutching a dove—a creature sacred to Venus.
Foreword by Perry B. Cott and notes by Otto Stelzer.
The Protestant Dutch had a reputation for strict rules that defined social conduct. Only on rare occasions, such as a betrothal when a suitor was expected to show passion for his future wife, would a demonstration of emotion be considered proper.
Washington, 1949 (reprinted 1953 and 1958): 90, repro. 1960 Baird, Thomas P.
At the sixth impressionist exhibition in the spring of 1881, Edgar Degas presented the only sculpture that he would ever exhibit in public. The Little Dancer Aged Fourteen , the title given by the artist, has become one of the most beloved works of art, well known through the many bronze casts produced from this unique original statuette, following the artist’s death.
Paris, 1946-1949: 1(1946):127-128, 246, 249-250. 1961 Havemeyer, Louisine B.
Washington, 1968: 89, repro. 1972 Fredericksen, Burton B., and Federico Zeri.
London, 1908: 1:199; 2: facing p. 46. 1915 Roberts, William.
New York: Scribner’s, 1927, p. 270. 1956 McKibbin, David. Sargent’s Boston.
Ohio [fig2] © The Cleveland Museum of Art, The Cleveland Museum of Art, Hinman B.
How do visual artists of the Harlem Renaissance explore black identity and political empowerment? How does visual art of the Harlem Renaissance relate to current-day events and issues? How do migration and displacement influence cultural production?
model 1909, cast before 1932, bronze, Patrons‘ Permanent Fund and Gift of Mitchell P.
Dürer was born in Nuremberg and received a typical medieval training from his goldsmith father and from the Nuremberg painter Michael Wolgemut. Yet he was one of the major transmitters of the ideas of the Italian Renaissance to artists in the North.
ce petit Tableau en 1521 à Anvers par le Sécretaire de cette Ville… haut 8 p.
