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Around the turn of the 17th century, a number of Flemish painters presented sumptuous tabletop still lifes to delight the viewer, and none surpassed Osias Beert. The carefully crafted objects and expensive delicacies that he depicted celebrate a world of abundance and beauty in a style that shows off Beert’s mastery of textural effects and realistic detail.
On View West Building Main Floor, Gallery 50-B Artwork overview Medium oil on

Coats was a director of the world’s largest cotton-thread manufacturers, J & P

Contemporary Cultural Institutions Predoctoral Dissertation Fellows In Residence David P.

Black, blue, white, silver, russet, and orange paint are here, but no lavender. The title, suggested by a critic who championed the artist, points our attention to light and color effects.
View Tour Stop On View East Building Upper Level, Gallery 407-B Order reproductions

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Drawing can clear your head and focus your attention on the here and now. Draw with us—no experience required.
Max Beckmann, drei Köpfe und Beschriftung (Three Heads, One Notation) [p. 11], graphite

Woods, London, 23 April 1887, no. 78, as by Antonio Pollaiuolo);[2] purchased by (P.

Painted in 1913, Catharine is a rapidly painted character study—a form favored by Robert Henri at this time. The artist preferred to depict people with whom he felt a strong spiritual empathy, which enabled him to portray a wide spectrum of humanity that would not have been possible with conventional commissions.
Chilcott, A Champion of American Art, Chicago, 1975; he refers to Catharine on p.