This imposing picture, one of Fei’s most accomplished, is completely intact, with its original engaged frame richly decorated with gilded pastiglia and small cabochon stones alternating with medallions of verre églomisé (see Eisler 1961 for a discussion of this technique)
Oxford, 1932, p. 183. [F.
The Sons of Hephaistos: Aspects of the Archaic Greek bronze Industry. p. 154, Roma
Classification: Bronzes Credit Line: Rogers Fund, 1960 Object Number: 60.11.2a, b
Inscription: (on each corner and center): A [image of a knot] E [reversed] (unidentified)(on dog collar; twice): AE(on dog collar bearing arms; twice): AMarking: Arms (on dog collar on right): Quarterly, 1 and 4, barry of six or and azure, the first two bars debruised by three roses gules, seeded proper; 2 and 3, or, three escutcheons gules
Paris: Henri Laurens, 1929. p. 326. Rorimer, James J.
Credit Line: Purchase, Joseph Pulitzer Bequest, 1950 Object Number: 50.196a, b
This is the Museum’s only intact Gothic polyptych. It consists of a center panel showing the Coronation of the Virgin accompanied by two music-making angels, and two lateral panels with, from left to right, Saints Bernard, Sylvester, Nicholas, and Julian the Hospitaller
Burton B. Fredericksen and Federico Zeri.
Freeman, Margaret B. "The Unicorn Tapestries."
1932-33, excavated under the direction of James Leslie Starkey on behalf of The Wellcome-Marston Archaeological Research Expedition to the Near East; 1933, ceded to H. Dunscombe Colt in the division of finds as a result of his financial contribution to the expedition; acquired by the Museum in 1934, gift of Harris D
Bulletin of the Metropolitan Museum of Art 30 (2), p. 44.
Princeton NJ: Princeton Monographs, p. 92, pl. XXIX:2.
From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.
Houghton et al., Philippe de Montebello and the Metropolitan Museum of Art: 1977-2008, p.
