Dein Suchergebnis zum Thema: "...<b/""/</p/"<b

For over a century scholars have considered whether or not this sympathetic portrait of an old man is a self-portrait by El Greco. Lafond (1906) described the seemingly Romantic notion as at best a plausible hypothesis, and a number of more recent scholars (for example, Wethey 1962) have rejected the idea, mainly on the basis of comparisons with presumed self-portraits inserted by El Greco into several of his major religious pictures (see also Christiansen 2003)
Manuel B. Cossío. El Greco.

This is an early work by Alessandro Bonvicino, known as Moretto da Brescia, who, along with Girolamo Romanino, was the dominant painter in the city of Brescia (then in the westernmost area of Venice’s mainland empire) in the first half of the sixteenth century
Brescia, 1898, p. 108 [see Ref. Begni Redona 1988]. P[ietro]. d[a] P[onte].

B 5095), and the Antikenmuseum, Kassel, Germany (inv.

Berlin: Dietrich Reimer Verlag, 1928. p. 40. Lamm, Carl Johan.

Between 1878 and 1895, acquired by Julien Gréau; before 1903, acquired by John Pierpont Morgan (as part of the Gréau glass collection); until 1913, collection of John Pierpont Morgan, New York; 1913-1917, estate of J
× 1 5/16 in. (6.1 × 5 × 3.4 cm) Height (.a): 2 1/2 in. (6.3 cm) Height (.b): 15

Corpus Vasorum Antiquorum, USA 1, Hoppin and Gallatin Collections. p. 81, Gallatin
Corpus Vasorum Antiquorum, USA 1, Hoppin and Gallatin Collections. p. 81, Gallatin

Rorimer, James J., and Margaret B. Freeman.

B[ryson]. B[urroughs]. "Principal Accessions."

[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
[adapted from Benzel, Kim, Sarah B. Graff, Yelena Rakic, and Edith W.

London: B. T. Batsford, Ltd., 1914. p. 25. Needle and Bobbin Club.