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Painting by Habiballah of Sava – "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/451725

The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
P. Dutton & Co., 1970. no. 157, p. 180, ill. (b/w). Swietochowski, Marie.

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Fragmentary Loom Width with Wavy-Vine Pattern – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/451101

Length of Fabric>One of the more popular layouts with Ottoman textile artists, and one that eventually found its way into other media such as ceramic tile decoration, the pattern on this fabric fragment features parallel undulating vines adorned with leaves and flowers
Metropolitan Museum of Art Bulletin, n.s, vol. 11 (1953). p. 103, ill. (b/w).

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Relief panel – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/322611

1840s, excavated under the direction of Austen Henry Layard; 1849, presented by Layard to Lady Charlotte Guest for Canford Manor, Dorsetshire (Dorset), England; 1919, purchased by Dikran Kelekian from Ivor Churchill Guest; 1927, purchased by J
Louchheim, Aline B. 1949. “Near-Eastern Art Placed on Display: Metropolitan Shows

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