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B[ryson]. B[urroughs]. "A Fifteeth-Century Italian Panel."

Jacomo Rossi in Roma alla Pace co P. del S. P.‘; ‚Gio. Batta Falda di. et. f.
Jacomo Rossi in Roma alla Pace co P. del S. P.‘; ‚Gio. Batta Falda di. et. f.

Attic Black-figure Vase-painters. p. 149, Oxford: Clarendon Press.Beazley, John D
Attic Black-figure Vase-painters. p. 149, Oxford: Clarendon Press.

of The Metropolitan Museum of Art, New Series, vol. 20, no. 3 (November 1961). p.

London and New York: B. T. Batsford, 1907. pp. 163, 165, fig. 94.

Antiquities: An Exhibition from the Collection of Walter Cummings Baker, Esq. no. 101A, p.
Antiquities: An Exhibition from the Collection of Walter Cummings Baker, Esq. no. 101A, p.

B[attista]. Cavalcaselle.

Corpus Vasorum Antiquorum, USA 1, Hoppin and Gallatin Collections. p. 108, Gallatin
Corpus Vasorum Antiquorum, USA 1, Hoppin and Gallatin Collections. p. 108, Gallatin

PanelIn their time, the royal quarters at Madinat al-Zahra, the caliphal court in al-Andalus, must have been a spectacular sight, with lavish architectural decoration; luxuriant curtains, textiles, and furnishings; and sumptuous objects
(b/w). Kühnel, Ernst, and J. & S. Goldschmidt.

Moretto’s last major work, this altarpiece was commissioned by the Brescian confraternity known as the Disciplina di San Giovanni Evangelista for their oratory adjacent to the church of the same name
B[attista]. Cavalcaselle.