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and Elisa B.

New York: The Metropolitan Museum of Art, 1944. p. 90, ill. fig. 54 (b/w).

The artist (possibly given to Andrieu); Pierre Andrieu (French)(until at least 1864); member of the Orléans family, possibly Philippe d’Orleans (French), comte de Paris, Château d’Eu, Normandy (by 1891-d
Robaut p. 355; Johnson VI, p. 303-4, no. 595; Huyghe pl. 311; Spector pp. 66-67;

Rorimer, James J., and Margaret B. Freeman.

Burlington Magazine 4 (January 1904), p. 94, ill. p. 92, as at Dowdeswell; accepts

P. Belmont, Newport (by 1904–d. 1908; by descent to his widow); Mrs. – P. Belmont, Newport and New York (1908–16; sold to Mackay); Clarence H
P. Belmont, Newport (by 1904–d. 1908; by descent to his widow); Mrs.

Dado PanelThe room in Nishapur, Iran, from which this dado panel was excavated once had a lively scheme of painted decoration. The upper section of the wall was colored a deep red, beneath which was a short horizontal frieze of hexagons and diamonds, and a four-foot-high dado with alternating rectangular and square panels
Metropolitan Museum of Art Bulletin vol. 37 no. 4 (1942). p. 104, ill. fig. 28 (b

John Pierpont Morgan no. 62, p. 269, pl. 338.5, Paris.Richter, Gisela M. A
John Pierpont Morgan no. 62, p. 269, pl. 338.5, Paris. Richter, Gisela M.

Bulletin of the Metropolitan Museum of Art, 18(2): p. 30.Bruneau, Philippe and Claude
Bulletin of the Metropolitan Museum of Art, 18(2): p. 30.

Bowl Produced in northeastern Iran, in the province of Khurasan during the Samanid period, this large bowl with its high, flaring sides and bold, rhythmically spaced inscription in „new-style“ script exemplifies the elegance and perfect harmony of the „black-on-white wares“ unearthed in the cities of Nishapur and Samarqand
Perpetual Glory: Medieval Islamic Ceramics from the Harvey B.