Standing figure of Amenhotep III – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544478
Brooklyn, p. 84. Fischer, Henry G. 1977.
Brooklyn, p. 84. Fischer, Henry G. 1977.
Watteau, the son of a roofer, left Valenciennes for Paris about 1702 to work there as a copyist and assistant to Claude Gillot (1673–1722) and Claude III Audrun (1658–1734). He became interested in theater and fell under the spell of Peter Paul Rubens (1577–1640)
, ill. opp. p. 226 [reprinted, Paris, 1929, p. 67, no. 414, ill. opp. p. 66].
Désiré van den Schrieck, Louvain (until d. 1857; his estate sale, Étienne Le Roy, Louvain, April 8–10, 1861, no. 123, as „Réunion de famille“); comte Cornet de Ways Ruart, Brussels (until d. 1870); William T
Vol. 33, Leipzig, 1939, p. 167. Harry B. Wehle. "Seventy-Five Years Ago."
the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
–B. de La Faille. "Vincent van Gogh."
Paris, [1835], p. 11. P. Delaperrière. "Beaux-Arts: Salon de 1835."
Muscarella, Oscar White. 1974. Ancient Art: The Norbert Schimmel Collection no. 60, Mainz am Rhein: Verlag Philipp von Zabern.von Bothmer, Dietrich, Carlos A. Picón, Joan R. Mertens, and Elizabeth J
Bulletin of The Metropolitan Museum of Art, 51(2): p. 61.
Bibliography of The Met’s Scientific Research department
Krekeler, P. Roelofs, I. Verslype, B. van Kooij, and A. van Loon.
Owned by S. Simonian, Hamburg Germany, before 2013. Published 1997 and 2003, exhibited in Frankfurt in 1999 and Vienna in 2003 and published in exhibition catalogs. Purchased from Pierre Bergé & Associés, Paris, 2013
Burial Customs in Roman Egypt, p. 128, pl. 16.3.