Florence, 1943, p. 405, no.125, figs. 125 a, b, c (left wing, right wing, and detail
1840s, excavated under the direction of Austen Henry Layard; 1849, presented by Layard to Lady Charlotte Guest for Canford Manor, Dorsetshire (Dorset), England; 1919, purchased by Dikran Kelekian from Ivor Churchill Guest; 1927, purchased by J
Louchheim, Aline B. 1949. “Near-Eastern Art Placed on Display: Metropolitan Shows
Met in 1913 through Altman’s bequest.Tiffany Racco 2023[1] Negro and Roio 1998, p. – Shearman 2003, pp. 158–59[4] Negro and Roio 1998, pp. 116–17[5] Hickson 2009, p.
Burlington Magazine 1 (April 1903), p. 186, ill. opp. p. 147.
(p. 370; as "Contesto Atletico"). New York.
Marking: 1) (on nameboard) Loud & Brothers/Philadelphia;2) (in ink on back of soundboard) William Moore/Philadelphia/Jany 29th 1831./No 477 [and again in another hand] 477;3) (stamped on top key) T
Hufstader Gift, Richard B.
Gold NecklaceThe striking way in which this piece, with its circular stone-set gold elements surrounded by small pearls, is stylistically reminiscent of the miniature of the zenana (harem) scene in the Met (30
B., and Tushingham, A. D. Crown Jewels of Iran.
From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg; Dutch or German Private Collection ; [ Sotheby’s, London (July 28, 1939, no. 103) ] ; [ John Hunt, Ireland (1939–sold 1952) ]
Oud Holland 52 (1935). p. 29. Huth, Hans.
Ratti Textile Center Modern and Contemporary Art 2 of 20 Soprano ophicleide in B-flat
P2050).
The Metropolitan Museum of Art Bulletin 7 (7), p. 186-189, ill. p. 190.
Pater, born in Valenciennes, was apprenticed to a local painter in 1706. A contemporary would later report that his father sent him to Paris to study with Jean Antoine Watteau (1684–1721): probably the two painters left Valenciennes together in late 1709 or 1710
Art News 27 (April 27, 1929), p. 4, ill. p. 26, as "Fête-Champétre".
