The fact that the mid-first-century B.C. decoration was not replaced by another,
Cubiculum (bedroom) from the Villa of P.
Textile FragmentThe royal textile factories of al-Andalus were famous throughout the medieval world in a period when luxury textiles constituted one of the most valuable possessions in a ruler’s treasury as well as in the trousseaux of wealthy brides
Cambridge, Mass., 1996. p. 237; and Serjeant, R[orbert] B[ertram].
From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
B. Lippincott, 1950. p. 33, fig. 22. Comstock, Helen. "Connoisseur in America."
In addition to an innovative series of portraits (see The Met 14.40.645), Antonello has left a no less inventive series of bust-length images of Christ as the Man of Sorrows
B[attista]. Cavalcaselle.
Bulletin of the Metropolitan Museum of Art, 35(5): p. 107, fig. 1.Alexander, Christine
Bulletin of the Metropolitan Museum of Art, 35(5): p. 107, fig. 1.
New York: Dutton Publishing, 1970. no. 113, p. 149. Beeson, Nora B., ed.
Bulletin of the Metropolitan Museum of Art, 6(11): p. 211, fig. 2.Richter, Gisela
Bulletin of the Metropolitan Museum of Art, 6(11): p. 211, fig. 2.
baron Arthur de Schickler, Martinvast, France (by 1908–d. 1919); his daughter, comtesse Hubert de Pourtalès, Martinvast (1919; sold to Duveen); [Duveen, Paris, and Wildenstein, Paris, 1919, as by Alvise Vivarini; sold to Salomon]; William Salomon, New York (d
Arts 5 (May 1924), p. 264, ill. p. 263, as in the collection of Andrew W.
B. Faure). Paris. Exposition Internationale Universelle.
