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Painter Picking up His Brush by Pablo Picasso https://www.nga.gov/artworks/107649-painter-picking-his-brush
graphite: Picasso; by later hand, lower left below plate, in graphite: BG 129 i/ii B
Uta Barth | National Gallery of Art https://www.nga.gov/artists/38356-uta-barth
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Greenberg, 2025.16.59.a-b Untitled (05.6) Untitled (05.6) Uta Barth · 2005 ·
Bodo Korsig | National Gallery of Art https://www.nga.gov/artists/37906-bodo-korsig
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Smith, Jr., Harold and Janet Tague, and Riley Temple, 2008.82.1.11.a-b Untitled
John Marin | National Gallery of Art https://www.nga.gov/artists/2643-john-marin
John Marin was born in Rutherford, New Jersey, the son of an accountant. His mother died shortly after he was born, and he was raised by his maternal grandparents and two aunts in Weehawken, directly across the Hudson River from New York City.
Philadelphia, where he initiated a lifelong friendship with the modernist painter Arthur B.
French 12th Century | National Gallery of Art https://www.nga.gov/artists/4678-french-12th-century
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verso], early 12th century, miniature on vellum, Rosenwald Collection, 1961.17.3.b
Wild Grape by Ellsworth Kelly https://www.nga.gov/artworks/219313-wild-grape
Artwork overview Medium graphite on wove paper Credit Line Bequest of William B.
William Young Ottley | National Gallery of Art https://www.nga.gov/artworks/provenance/19538-william-young-ottley
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Throne, c. 1495, pen and black ink on laid paper, Ailsa Mellon Bruce Fund, 1972.22.1.b
Amy Taylor Dickson (Mrs. John Dickson) by John Neagle https://www.nga.gov/artworks/34125-amy-taylor-dickson-mrs-john-dickson
Deardon, probably for Thomas B.
Imitation by John Haberle https://www.nga.gov/artworks/106596-imitation
John Haberle, with his contemporaries William Harnett and John Peto, was one of the most important trompe l’oeil still-life painters in late nineteenth-century America. Of them, Haberle was specially noted for his style (the microscopic painting of detail) and for his favorite subject (money).
exhibition by the most important collector of American art of the period, Thomas B.
