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Join curators Sylvia Yount, Medill Higgins Harvey, Adrienne Spinozzi, Amelia Peck, Alyce Perry Englund, Stephanie L. Herdrich, Thayer Tolles, Patricia Marroquin Norby, and Alice Cooney Frelinghuysen along with Max Hollein, Marina Kellen French Director and CEO as the American Wing celebrates its 100th anniversary with a reinstallation of its extensive collection of art and design.
Kane Bequest, in memory of Berry B. Tracy 2020 (2020.7).

The first Asian designer to become a member of the Paris haute couture syndicate, Hanae Mori occupied a singular position at the forefront of the global fashion industry over the course of her storied five-decade career.
in brilliant colors, often interweaving gold and silver threads ( 2004.467.1a, b)

Moroni’s portrait of the Bergamasque professor Bartolomeo Bonghi (died 1584) is one of his finest works from the 1550s. Bonghi is shown seated on a Savonarolan-style chair with a book in his left hand, gazing toward the viewer, and with a cityscape through the window beyond
B[ryson]. B[urroughs]. "Venetian Paintings."

[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
[adapted from Benzel, Kim, Sarah B. Graff, Yelena Rakic, and Edith W.

Introduce your students to works of art made in the lands where many features of civilization originated.
East Art of the Ancient Near East: A Resource for Educators Kim Benzel, Sarah B.

Mihrab (Prayer Niche)This prayer niche, or mihrab, was originally an architectural element in a theological school (madrasa) in the city of Isfahan. An inscription in the courtyard of this former school, now known as Madrasa Imami, is dated to the year A
(b/w). Harari, Ralph, and Richard Ettinghausen.

to choose an item Title: The Return of the Axum Obelisk Artist: Theo Eshetu (b.

This installation by Dan Graham (born 1942, Urbana, Illinois) is the second in a new series of site-specific commissions for the Museum’s Roof Garden. Comprising curves of steel and two-way mirrored glass set between ivy hedgerows, Graham’s structure is part garden maze, part modernist skyscraper facade.
Additional support is provided by Cynthia Hazen Polsky and Leon B. Polsky.

Line: The Jack and Belle Linsky Collection, 1982 Object Number: 1982.60.197a, b

The discovery of vast quantities of West African ivory, called “white gold” in Europe, transformed the nature of African-Portuguese trading in the fifteenth and sixteenth centuries.
The design of the saltcellars ( 1972.63a,b); ( 1991.435a,b), with a round vessel