The famous last line of [Roland] Barthes’ essay, that “the birth of the reader must be at the cost of the death of the author,” was a call to arms for the loosely knit group of artists working in photography, film, video, and performance that would become known as the “Pictures” generation.
Louise Lawler 1984 Untitled (cowboy) Richard Prince 1989 Perpetual Photo, #209 B
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B.
cloisonnè enamel Dimensions: f:wheel shaped medallion: 3 x 3/16 in. (7.6 x 0.5 cm) b,
Donnan, Christopher B. Moche Portraits from Ancient Peru.
Beeson, Nora B., ed. Guide to The Metropolitan Museum of Art.
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The Iris and B.
Inscription: (on each corner and in center): A [image of a knot] E [reversed] (unidentified)(on red horn): W [backwards E] D H N O H N M E H O M (too fragmentary for interpretation)
B. Lippincott, 1925. pl. VI, b–d. Breck, Joseph.
Inscription: (On scroll): . Ave . / . gracia . / . ple / na . (Hail [Mary] full of grace)Marking: Arms [on shield held by two angels, center top]: Vilanova of Castile, Catalonia, etc
B. Lippincott, 1925. pp. 26, 233, pl. III, i, XVII, c. Ackerman, Phyllis.
With the rise of the transatlantic trade through the seventeenth into nineteenth centuries, ivory became among the most valuable African natural resources desired by Western industry.
merchants engaged in trade along the Loango Coast of west-central Africa ( 1993.382a,b)
