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Cleopatra’s Needle | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2013/cleopatras-needle

This exhibition celebrates the Central Park Conservancy’s upcoming conservation on the obelisk of Thutmose III, popularly known as „Cleopatra’s Needle.“ Relying primarily on the Metropolitan’s own collection, enhanced with several important loans from local museums and private lenders, it explores the meaning of obelisks in ancient Egyptian divine and funerary cults and considers how these massive monuments were created and erected.
Objects Exhibition Objects The exhibition is made possible by Dorothy and Lewis B.

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The Tribes | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2017/portable-storage/the-tribes

The selection of small tribal weavings from Iran, Turkey, and Transcaucasia in Portable Storage was generously given to The Met by William and Inger Ginsberg of New York. While the term „carpet“ evokes a large, heavy, rectangular floor covering Women
Authors: Deniz Beyazit, Associate Curator, Department of Islamic Art; and Walter B.

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Painting by Habiballah of Sava – "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/451725

The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
XXV, no. 9 (May 1967). pp. 342–43, ill. figs. 4 (color), 5 (b/w).

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