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Miao Clothing and Jewelry from China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/miao-clothing-and-jewelry-from-china

November 4, 2017 – July 1, 2018 | Gallery 218 | Free Exhibition One of the largest ethnic minorities in China, most Miao people live in the southern provinces of Guizhou, Hunan, and Yunnan. Like many cultures throughout Asia, Miao peoples employ textiles, clothing, and accessories to express their identity
Fund for Asian Art, 98.15.4 (skirt), 94.54.8 (sash), 94.54.3 (apron), 96.91.6a,b

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"I Am Somali": Three Visual Artists from the Twin Cities –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/i-am-somali-three-visual-artists-from-the-twin-cities

August 19, 2017 – May 27, 2018 | Gallery 255 | Free Exhibition In Somalia, poetry has long been the preferred medium for artistic expression—in fact, the country is sometimes called “the land of bards.” This is in part because of Somalia’s long Islamic tradition, which discourages the visual depiction of people while embracing the power of the spoken word. Yet Somali artists have also turned to other media, including drawing, painting, photography, and video. This exhibition celebrates the work of three Somali visual artists from the Twin Cities: Hassan Nor (81), Aziz Osman (69), and Ifrah Mansour (30)
Skip to main content Hassan NOR (b. 1937) Untitled ("Vignettes of Life in Somalia

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Home and Away –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/home-and-away

May 3, 2018 – September 16, 2018 | Gallery 211 | Free Exhibition Many traditions across South Asia extol the virtues of setting off from home in search of eternal truths. Those who do so are known as ascetics, people who have stepped away from their worldly responsibilities in order to engage in intense spiritual discipline
Skip to main content Amar Kanwar (b. 1964), Letter 2, Letter 3, and Letter 6,

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Chaos: Ken Matsubara’s Buddhist Masterwork –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/chaos-ken-matsubaras-buddhist-masterwork

September 2, 2023 – April 14, 2024 | Bell Family Decorative Arts Court (Gallery 333) | Free Exhibition Two paintings, 600 years apart: the 14th century Taima Mandala and the 20th century Chaos by Ken Matsubara. Despite the chronological distance between them, these two pieces are connected by Buddhist threads
and Mary Griggs Burke Foundation and gift of funds from Nivin MacMillan 2022.49a,b

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Recent Acquisitions: Fiber Art at Mia –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/recent-acquisitions-fiber-art-at-mia

December 7, 2019 – October 18, 2020 | Gallery 275 | Free Exhibition Showcased here is a selection of fiber artworks acquired over the past five years by Mia’s Department of Decorative Arts, Textiles, and Sculpture. The term “fiber art” came into being in the years following World War II (1939–45) to describe the work of artists who employed various methods of textile production traditionally recognized as “craft” or “women’s work”: weaving, knitting, crochet, and other techniques
Gift of the artist with special thanks to Case Western Reserve Law School 2018.61a,b

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American Gothic: Gordon Parks and Ella Watson –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/american-gothic-gordon-parks-and-ella-watson

January 6, 2024 – June 23, 2024 | Harrison Photography Gallery | Free Exhibition In the summer of 1942, during a yearlong fellowship in Washington, D.C., Gordon Parks photographed government worker Ella Watson across the varied landscape of her daily life. The resulting picture story presents Watson—a custodian, the head of a household, a deaconess at her church—as a vital figure within the civic sphere
Gift of Frederick B.

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The Root Collection: Celebrating Studio Ceramics –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/the-root-collection-celebrating-studio-ceramics

August 19, 2023 – January 28, 2024 | Cargill Gallery | Free Exhibition Tamara and Michael Root have created one of the largest, most diverse collections in the Twin Cities of studio ceramics from the 20th and 21st centuries. For nearly 35 years, they have followed the Minnesota ceramic arts scene and collected nationally and internationally, assisted by knowledgeable dealers
Teapot, 2007, Glazed earthenware, Lent by Tamara and Michael Root, L2023.30.269a,b,

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