Dein Suchergebnis zum Thema: "<b

Chasing Matisse: American Moderns Under the Influence –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/chasing-matisse-american-moderns-under-the-influence

September 20, 2013 – June 1, 2014 | Gallery 361 | Free Exhibition In the decade prior to the outbreak of World War I in 1914, dozens of American artists made their way to Paris to see, study and make art, eventually bringing the message of modernism home to the United States. It was Henri Matisse (French, 1869-1954) who had the most significant and lasting influence on these young American painters
Skip to main content Arthur B.

    Kategorien:
  • International
Seite melden

Shimmering Surfaces: Chinese Lacquer Motifs and Techniques –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/shimmering-surfaces-chinese-lacquer-motifs-and-techniques

March 31, 2021 – April 10, 2022 | Gallery 210 | Free Exhibition Lacquer art has a long history in China, beginning more than 5,000 years ago. Richly decorated lacquer wares often invoke themes and ideas intended to bring wealth, health, moral ethics, good luck, longevity, and even immortality to their owners—and also communicate their wealth and status
green, and brown carved lacquer (tixi), Gift of Ruth and Bruce Dayton, 2001.68.14a,b

    Kategorien:
  • International
Seite melden

Kamoda Shōji: The Art of Change –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/kamoda-shoji-the-art-of-change

December 11, 2021 – April 17, 2022 | Cargill Gallery | Free Exhibition Kamoda Shōji (1933–1983) became one of Japan’s most celebrated potters. His groundbreaking approach to the interplay among material, form, and surface helped revolutionize the way Japanese artists approached ceramic production
stoneware with red and green painted glazes, 4 ½ x 6 1/2 in., Collection of Joan B.

    Kategorien:
  • International
Seite melden

Objectivity: Metaphorical and Material Lives of Photographs –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/objectivity-metaphorical-and-material-lives-of-photographs

March 12, 2022 – July 31, 2022 | Harrison Photography Gallery | Free Exhibition Photographs are both things and ideas. Before they were pixels on a smartphone or stashed up in the cloud, photographs were objects printed on tangible goods
Skip to main content Time – (B), 1985, Kenji Nakahashi, Japanese, 1947 – 2017

    Kategorien:
  • International
Seite melden

Romance and Heroism: Theatrical Robes from Late Imperial China –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/romance-and-heroism-theatrical-robes-from-late-imperial-china

May 11, 2019 – April 19, 2020 | Gallery 218 | Free Exhibition During the Qing Dynasty (1644–1911), classical Chinese plays generally featured singing, dancing, music, and acrobatics. But some the most important elements were the costumes
Van Derlip Fund 42.8.126a,b Romance and Heroism: Theatrical Robes from Late Imperial

    Kategorien:
  • International
Seite melden

Words that Presence the Divine: Tezet Metu –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/words-that-presence-the-divine-tezet-metu

September 6, 2021 – February 6, 2022 | Katherine Kierland Herberger Gallery, Community Commons | Free The exhibition features works from the Council of Black Male Success Rites of Passage, a program of the Cultural Wellness Center. Your experience in this gallery results from a collaboration between Mia and the Cultural Wellness Center
Skip to main content Mahaba: “Love” Roho ya upend: “Loving Spirit,” 2021, Darnell B.

    Kategorien:
  • International
Seite melden

Vision 2020: Contemporary Photographic Portraits at Mia –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/vision-2020-contemporary-photographic-portraits-at-mia

January 4, 2020 – September 13, 2020 | Perlman Gallery (Gallery 368) | Free Exhibition “Vision 2020” presents contemporary photographic portraits created by three groundbreaking photographers from Africa: Samuel Fosso of Cameroon, Nigeria, and the Central African Republic; Zanele Muholi of South Africa; and Omar Victor Diop of Senegal. Each photographer uses their bodily presence within the photograph to different ends, yet they hold a common interest in exploring the layered histories of race and gender within these disparate representations; in doing so, they offer insight into visual resistance, communal care, and self-affirmation
Skip to main content Omar Victor Diop (Senegalese, b. 1980), Frédérick Douglass

    Kategorien:
  • International
Seite melden