Bernardino da Genoa – Madonna and Child with Angels – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435659
as by Lanini; his estate sale, Christie’s, London, April 8, 1886, no. 235, as by B.
as by Lanini; his estate sale, Christie’s, London, April 8, 1886, no. 235, as by B.
From the Saint Anne Portal, Cathedral of Notre-Dame, Paris (ca. 1180–ca. 1793 (?)).; possibly Dr. Lecorché, France (?); [ Lucien J. Demotte, Paris and New York (through Manuel Cobo, by 1930–sold 1937)]; [ C
Mitteilungen des Museen-Verbandes 61 (March 1939). pp. 13–14, fig. 2a, b.
Rorimer, James J., and Margaret B. Freeman.
Andrews, and Fletcher Fund, by exchange, 2017 Object Number: 2017.10a, b Belgian
Making and breaking legacies.
At the time, there were conservators in the field experimenting with combining B–
Stonepaste production expanded significantly in the twelfth century, as witnessed by a substantial increase in production centers; advances in established techniques and the development of new ones, especially underglaze painting; a greater sophistication in decoration; and a more marked stylistic divergence between Syrian and Iranian productions.
An earthenware mold excavated in a kilns area at Nishapur ( 48.101.5a, b) illustrates
Search art at the Metropolitan Museum.
10th–4th century BCE Harmonica Pitch Pipe Hohner Tabor Pipe in B French 19th
Classification: Vases Credit Line: Fletcher Fund, 1924 Object Number: 24.97.21a, b
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Peterson Fund Phillips Platinum Only SRL Cynthia Hazen Polsky and Leon B.
Signature: At lower right of scene, in script: E.C. Le Guay. 1813.Marking: Tray (.1): Stamped on underside in red enamel: [1] Crowned eagle with „Manufacture / Imperiale / SEVRES“ printed around mark (Sévres factory mark 1810–14); painted in gold below Sèvres factory mark: [2] TZ (year code); painted in brown: [3] 1226; painted in gold: [4] 15 Juin; incised in gold, in script: [5] Oz:5; [6] Le VTeapot (
gold: [4] 15 Juin; incised in gold, in script: [5] Oz:5; [6] Le V Teapot (.2a, b)