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From Model to Monument: American Public Sculpture, 1865–1915 – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/from-model-to-monument-american-public-sculpture-1865-1915

Throughout the ages, public sculptures have served as didactic tools, offering moral, patriotic, and cultural instruction. Symbols of pride, they have proclaimed cities as tastemakers in civic and aesthetic matters.
Augustus Saint-Gaudens collaborated with Stanford White ( 28.101); ( 39.65.54a,b)

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Fragments of a Lamp – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/450812

Among hanging lighting devices, one type of lamp — globular in shape with a flaring neck — was especially common in Seljuq times. They are commonly called mosque lamps in reference to the enameled lanterns from Mamluk mosques in Cairo, which often include Qur’anic inscriptions
(b/w). Carboni, Stefano, David Whitehouse, Robert H.

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Footed Bowl and Plate – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/454013

Glass Bowl and DishOf all the different categories of Mughal glass, the milky-white color of this bowl and dish ensemble constitutes the rarest type.[1] The opaque surfaces of the bowl and its matching tray are decorated with identical flowering shrubs enclosed within oval compartments, painted in two shades of gold and silver, now tarnished into a dark metallic gray
) Classification: Glass Credit Line: Purchase, Cynthia Hazen Polsky and Leon B.

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Workshop and Legacy: Stanley William Hayter, Krishna Reddy, Zarina Hashmi | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2016/workshop-and-legacy

„Workshop and Legacy“ explores the relationships among Stanley William Hayter, Krishna Reddy, and Zarina Hashmi, and brings together work from their years in Paris alongside examples from more recent times.
Zarina Hashmi (American, b. India, 1937). Atlas of My World I, 2001.

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