Crucified Christ – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/466045
Gómez-Moreno, Carmen, and Timothy B. Husband.
Gómez-Moreno, Carmen, and Timothy B. Husband.
Throughout the ages, public sculptures have served as didactic tools, offering moral, patriotic, and cultural instruction. Symbols of pride, they have proclaimed cities as tastemakers in civic and aesthetic matters.
Augustus Saint-Gaudens collaborated with Stanford White ( 28.101); ( 39.65.54a,b)
Among hanging lighting devices, one type of lamp — globular in shape with a flaring neck — was especially common in Seljuq times. They are commonly called mosque lamps in reference to the enameled lanterns from Mamluk mosques in Cairo, which often include Qur’anic inscriptions
(b/w). Carboni, Stefano, David Whitehouse, Robert H.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
son of the goddess Athena, and the Thracian king Eumolpos (identified as Riace B)
Signed (lower left): PR; inscribed (verso, lower left) 17/35b.
: 33 1/2 × 72 in. (85.1 × 182.9 cm) a: 32 5/8 × 23 1/2 in. (82.9 × 59.7 cm) b:
Introduce your students to works of art made in the lands where many features of civilization originated.
East Art of the Ancient Near East: A Resource for Educators Kim Benzel, Sarah B.
to choose an item Title: The Return of the Axum Obelisk Artist: Theo Eshetu (b.
This installation by Dan Graham (born 1942, Urbana, Illinois) is the second in a new series of site-specific commissions for the Museum’s Roof Garden. Comprising curves of steel and two-way mirrored glass set between ivy hedgerows, Graham’s structure is part garden maze, part modernist skyscraper facade.
Additional support is provided by Cynthia Hazen Polsky and Leon B. Polsky.
Line: The Jack and Belle Linsky Collection, 1982 Object Number: 1982.60.197a, b
The discovery of vast quantities of West African ivory, called “white gold” in Europe, transformed the nature of African-Portuguese trading in the fifteenth and sixteenth centuries.
The design of the saltcellars ( 1972.63a,b); ( 1991.435a,b), with a round vessel