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The porcelains were often stored at the lowest level of the ships, both to provide ballast and because they were impervious to water.
preciousness and transformed them into entirely different objects ( 68.141.125a,b)
The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
XXV, no. 9 (May 1967). pp. 342–43, ill. figs. 4 (color), 5 (b/w).
Signed (lower left): PR; inscribed (verso, lower left) 17/35b.
: 33 1/2 × 72 in. (85.1 × 182.9 cm) a: 32 5/8 × 23 1/2 in. (82.9 × 59.7 cm) b:
Introduce your students to works of art made in the lands where many features of civilization originated.
East Art of the Ancient Near East: A Resource for Educators Kim Benzel, Sarah B.
The production of humanist manuscripts in Florence centered around the busy workshops of booksellers, who entrusted the decoration of their volumes to outside painters and professional illuminators.
Lorenzo Monaco (Piero di Giovanni) ca. 1406–7 King David in Prayer in an Initial B
to choose an item Title: The Return of the Axum Obelisk Artist: Theo Eshetu (b.
This installation by Dan Graham (born 1942, Urbana, Illinois) is the second in a new series of site-specific commissions for the Museum’s Roof Garden. Comprising curves of steel and two-way mirrored glass set between ivy hedgerows, Graham’s structure is part garden maze, part modernist skyscraper facade.
Additional support is provided by Cynthia Hazen Polsky and Leon B. Polsky.
Line: The Jack and Belle Linsky Collection, 1982 Object Number: 1982.60.197a, b
The discovery of vast quantities of West African ivory, called “white gold” in Europe, transformed the nature of African-Portuguese trading in the fifteenth and sixteenth centuries.
The design of the saltcellars ( 1972.63a,b); ( 1991.435a,b), with a round vessel
