Moche artist(s) – Ear ornament with winged runner – Moche – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/309428
Donnan, Christopher B. 2010. “Moche State Religion: A Unifying Force in Moche Political
Donnan, Christopher B. 2010. “Moche State Religion: A Unifying Force in Moche Political
conservation, Islamic
Fair, L., Rizzo, A., and Edelstein, B. 2010.
Medium: Sandstone Dimensions: A: H. 27 3/8 in. (69.5 cm); W. 27 in. (68.6 cm) B:
Brooklyn Museum, 2009; Gift of Helen Cookman, 1964 Object Number: 2009.300.7336a, b
Join curators Sylvia Yount, Medill Higgins Harvey, Adrienne Spinozzi, Amelia Peck, Alyce Perry Englund, Stephanie L. Herdrich, Thayer Tolles, Patricia Marroquin Norby, and Alice Cooney Frelinghuysen along with Max Hollein, Marina Kellen French Director and CEO as the American Wing celebrates its 100th anniversary with a reinstallation of its extensive collection of art and design.
Kane Bequest, in memory of Berry B. Tracy 2020 (2020.7).
[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
[adapted from Benzel, Kim, Sarah B. Graff, Yelena Rakic, and Edith W.
Mihrab (Prayer Niche)This prayer niche, or mihrab, was originally an architectural element in a theological school (madrasa) in the city of Isfahan. An inscription in the courtyard of this former school, now known as Madrasa Imami, is dated to the year A
(b/w). Harari, Ralph, and Richard Ettinghausen.
This exhibition celebrates the Central Park Conservancy’s upcoming conservation on the obelisk of Thutmose III, popularly known as „Cleopatra’s Needle.“ Relying primarily on the Metropolitan’s own collection, enhanced with several important loans from local museums and private lenders, it explores the meaning of obelisks in ancient Egyptian divine and funerary cults and considers how these massive monuments were created and erected.
Objects Exhibition Objects The exhibition is made possible by Dorothy and Lewis B.
New York: The Metropolitan Museum of Art, 1930. p. 241–42, ill. fig. 148 (b/w).
The selection of small tribal weavings from Iran, Turkey, and Transcaucasia in Portable Storage was generously given to The Met by William and Inger Ginsberg of New York. While the term „carpet“ evokes a large, heavy, rectangular floor covering Women
Authors: Deniz Beyazit, Associate Curator, Department of Islamic Art; and Walter B.