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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 May 1934‘, Edward Renouf, recipient: Anny Schey von Koromla, 27 May 1934 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-65/letter-from-edward-renouf-to-anny-schey-von-koromla

Saturday evening Dearest Annerl! Your second little note has just arrived, and I’m rushing to reply straight away, if only briefly. First, I’m sending that letter to BÖSKE ANTHEIL, 51 East 55th Street, New York City, USA, back to you so that you can write the name in yourself, since both of the Antheils are themselves conspiracists. They’re prone to find intrigue in everything and to worry themselves about it. As for me, I’ve become the embodiment of nervous ambition, the animus that sets the keys of my typewriter in motion, nothing more. It can’t be denied that I have …
Everything I do from now on should and must bear all

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‘‘Letter from Erich Kahn to J.P. Hodin‘, Erich Kahn, recipient: Dr J. P. Hodin, 6 August 1958‘, Erich Kahn, recipient: Dr J. P. Hodin, 6 August 1958 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-20062-4-188-3/letter-from-erich-kahn-to-j-p-hodin

[Translation/transcription] 1 Albert Studios 4 Albert Street London NW1 6 August 1958 Dear Hodin, The catalogue is a masterpiece. Many sincere thanks. I’m sending along six copies here. They’ve only just arrived (the first batch for the invitations was rather short, but there are enough here now). I have more and shall keep them here for you (or, if you like, I’ll send you more). I’m sending five further copies of Arts News (and will buy more in the next few days). The portrait you’ve painted of me and everything else you’ve written about me is so fine that I …
It’s all come out so well that with my feeble words

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‘‘Letter and artist questionnaire‘, Friedrich Karl Gotsch, recipient: Dr J. P. Hodin, 27 January 1968‘, Friedrich Karl Gotsch, recipient: Dr J. P. Hodin, 27 January 1968 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-20062-7-74-3-1/gotsch-letter-and-artist-questionnaire

J.P. Hodin’s questionnaire completed by Friedrich Karl Gotsch, with an accompanying letter. [Translation/transcription] I. LIFE AND WORK DATA Full name: Date and Place of Birth: Art Schools visited: Dates, Names of Teachers: Friedrich-Karl Gotsch 3 February 1900, Pries on the Danish Wahld, Schleswig Art Academy, Dresden; Academy Cola Rossi, Paris Hans Ralfs, 1919; Oskar Kokoschka, 1920-23 Advantages connected with education in art schools: influences on further work: Dresden circle, Kokoschka, Dix and numerous international artists. In Paris, the Café du Dôme circle, especially Léger and Picasso, were certainly influential for a time, but was working independently from very early on, …
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