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‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 4 June 1938‘, Edward Renouf, recipient: Anny Schey von Koromla, 4 June 1938 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-78/letter-from-edward-renouf-to-anny-schey-von-koromla

523 West 121, New York 4 June 1938 Dear Annerl! Thanks in no small part to your efforts on my behalf I’ve just won an ‘internship in the guidance laboratory’! We’re all very pleased about it, and I can hardly say how grateful I am to you for putting in a good word for me. The internship comes with a stipend of $300. But that’s the least of it. The important thing is the honour, prestige or whatever you want to call it, and particularly the opportunities it will afford to practice as a psychologist. But even this internship has …
Her house in Vienna was seized after the fall of Schuschnigg

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‘‘Letters from ‘Association des Ecrivains et Artistes Revolutionnaires’ to Jacques Lipchitz‘, collection owner: Jacques Lipchitz, recipient: Jacques Lipchitz, July 1932–2 January 1934‘, collection owner: Jacques Lipchitz, recipient: Jacques Lipchitz, July 1932–2 January 1934 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-897-1-1-19/letters-from-association-des-ecrivains-et-artistes-revolutionnaires-to-jacques-lipchitz

Folder contains two letters and two copies of a manifesto and three sets of exhibitions regulations. An official letter dated July 1932 provides information about the General Assembly of all members on 19 July There are two copies of the Manifesto of ‚Association des Ecrivains et Artistes Revolutionnaires‘ (AEAR), dated August 1933 and signed, among others, by Ozenfant, Signac and Zadkine. Full text: ‚Dear colleague and comrade, The problems faced by painters and sculptors are so serious that a revision of values and concepts is imperative. Obsessed with inner concerns within their arts that the multiple formal tendencies cannot satisfy, …
system is falling apart; it drags everything in its fall

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