‘St Ives, Cornwall‘, Samuel John Lamorna Birch, 1938 | Tate https://www.tate.org.uk/art/artworks/birch-st-ives-cornwall-n04959
‘St Ives, Cornwall’, Samuel John Lamorna Birch, 1938
1943–5 Houses at St Ives, Cornwall Alfred Wallis
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‘St Ives, Cornwall’, Samuel John Lamorna Birch, 1938
1943–5 Houses at St Ives, Cornwall Alfred Wallis
Tate glossary definition for outsider art: Term used to describe art that has a naïve quality, often produced by people who have not trained as artists or worked within the conventional structures of art production
Ben Nicholson discovered the naïve painter Alfred Wallis
‘They Amuse Themselves‘, José Cardoso Junior, c.1935–40
Charles Murray 1940 The Blue Ship Alfred Wallis
Call 1968, a major work by British sculptor Philip King, was conserved prior to its display at Tate Britain in 2008.
Laura Davies, sculpture conservator, and Clarrie Wallis
Tate glossary definition for naïve art: Art that is simple, unaffected and unsophisticated – usually specifically refers to art made by artists who have had no formal training in an art school or academy
Bouquet of Flowers (c.1909–10) Tate Alfred Wallis
Tate glossary definition for Pre-Raphaelite: Founded in London in 1848, a secret society of young artists (and one writer) who were opposed to the Royal Academy’s promotion of the ideal as exemplified in the work of Raphael
Bt 1829–1896 Henry Wallis
Tate glossary definition for Pre-Raphaelite: Founded in London in 1848, a secret society of young artists (and one writer) who were opposed to the Royal Academy’s promotion of the ideal as exemplified in the work of Raphael
Bt 1829–1896 Henry Wallis
‘The Lake of Gennesareth‘, Francis Bedford, c.1862
Wallis After Joseph Mallord William Turner published
‘Bradfields‘, Elsie Few, 1947
Claude Rogers 1961 Wreck of the Alba Alfred Wallis
‘Landscape‘, Myles Birket Foster
View by appointment Landscape Study Henry Wallis