Dein Suchergebnis zum Thema: Muse

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Woman as Muse in the Age of Matisse –– Minneapolis

https://new.artsmia.org/exhibition/woman-as-muse-in-the-age-of-matisse

December 13, 2013 – June 1, 2014 | Winton Jones Gallery (344) | “What interests me most is neither still life nor landscape: it is the human figure.” —Henri Matisse For the most part, those human figures belonged to women. From 1889 until his death in 1954, Matisse made thousands of drawings, prints, paintings, and sculptures of women
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Woman as Muse in the Age of Matisse –– Minneapolis

https://new.artsmia.org/exhibition/woman-as-muse-in-the-age-of-matisse-2

December 14, 2013 – July 6, 2014 | Winton Jones Print and Drawing Gallery (344) | 0 “What interests me most is neither still life nor landscape: it is the human figure.” —Henri Matisse For the most part, those human figures belonged to women. From 1889 until his death in 1954, Matisse made thousands of drawings, prints, paintings, and sculptures of women
Visit Programs Support About Shop Woman as Muse

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Sara Cwynar: Image Model Muse –– Minneapolis Institute

https://new.artsmia.org/exhibition/sara-cwynar

September 14, 2018 – January 20, 2019 | Gallery 369 and Gallery 370 | Free The work of Sara Cwynar explores the subjects of color and design, both in film and photography, and considers the ways they have operated politically, socially and historically, particularly in the context of how we conceptualize beauty. Her research-oriented films are meditations on the emotional impact of color, design and popular imagery, and their role in the manifestation of desire for objects and others
Foxy Production, New York Sara Cwynar: Image Model Muse

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Matrimonial Bliss: Chagall's Double Portrait with Wine Glass –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/matrimonial-bliss-chagalls-double-portrait-with-wineglass-2

May 21, 2017 – July 30, 2017 | Cargill Gallery | Free Exhibition “I had only to open my window, and blue air, love and flowers entered with her. She seemed to float over my canvases, guiding my art.” — Marc Chagall Amid the hardships of World War I, Marc Chagall eagerly married the beautiful and well-educated Bella Rosenfeld in 1914, after mutual “love at first sight.” Wedding portraits are common in the history of art, but Chagall’s Double Portrait with Wine Glass defies typicality
excitement for marriage and the life he’d live with his muse

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Matrimonial Bliss: Chagall’s Double Portrait with Wine Glass –– Minneapolis Institute of Art

https://new.artsmia.org/exhibition/matrimonial-bliss-chagalls-double-portrait-with-wineglass

May 21, 2017 – July 30, 2017 | Cargill Gallery | Free Exhibition “I had only to open my window, and blue air, love and flowers entered with her. She seemed to float over my canvases, guiding my art.” — Marc Chagall Amid the hardships of World War I, Marc Chagall eagerly married the beautiful and well-educated Bella Rosenfeld in 1914, after mutual “love at first sight.” Wedding portraits are common in the history of art, but Chagall’s Double Portrait with Wine Glass defies typicality
excitement for marriage and the life he’d live with his muse

    Kategorien:
  • International
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