‘Correspondence of Christine Nash’, collection owner: John Nash, 1915–77 – part of the digitised collection of the Tate Archive
selling one of his works and about Harold Gilman and Sydney
Available online are a large quantity of photographic negatives belonging to, and taken by, Vanessa Bell from the early twentieth century to the 1950s. Many of the photographs show her family and friends, including key figures within the Bloomsbury Group, both posing for the camera and also during carefree moments at her home, Charleston Farmhouse.
Vanessa Bell 1911 Black and white negative of Sydney
Available online are a large quantity of photographic negatives belonging to, and taken by, Vanessa Bell from the early twentieth century to the 1950s. Many of the photographs show her family and friends, including key figures within the Bloomsbury Group, both posing for the camera and also during carefree moments at her home, Charleston Farmhouse.
Black and white negative of Judith Stephen and Saxon Sydney-Turner
Includes photographic negatives, belonging to, and taken by, Vanessa Bell. These negatives, the prints of which can be found within the photograph albums kept by Vanessa Bell (See TGA 9020/1-10), show her with family and friends, including key figures within the Bloomsbury Group such as Duncan Grant, Lytton Strachey and John Maynard Keynes. The images are a mixture of family portraits, nudes and studies, with most photographs taken during carefree moments at Charleston.
Black and white negative of Judith Stephen and Saxon Sydney-Turner
‘Correspondence to Christine Nash’, collection owner: John Nash, recipient: Christine Nash, 1915–77 – part of the digitised collection of the Tate Archive
selling one of his works and about Harold Gilman and Sydney
The collection consists of correspondence on personal and business matters; artwork; writings; papers relating to sales, commissions, teaching and organisational matters; personal papers; photographs and printed material. The collection includes a significant amount of material relating to his wife, Christine Nash including correspondence, writings and artwork. The Carrington Papers within this collection were given to Nash’s executors by Noel Carrington and are primarily correspondence from John, Paul and Christine Nash to Carrington. The Francis Unwin material was probably given to Christine Nash by his wife, Mary after his death in 1925.
selling one of his works and about Harold Gilman and Sydney
Includes photographic negatives, belonging to, and taken by, Vanessa Bell. These negatives, the prints of which can be found within the photograph albums kept by Vanessa Bell (See TGA 9020/1-10), show her with family and friends, including key figures within the Bloomsbury Group such as Duncan Grant, Lytton Strachey and John Maynard Keynes. The images are a mixture of family portraits, nudes and studies, with most photographs taken during carefree moments at Charleston.
Vanessa Bell 1911 Black and white negative of Sydney
Tate glossary definition for history painting: Seventeenth century term describing paintings with subject matter drawn from classical history, mythology, and the Bible – also used in the eighteenth century to refer to more recent historical subjects
Singleton Copley 1779–81 Colonel Acland and Lord Sydney
Letters from Vanessa Bell, née Stephen, to Duncan Grant, covering much of the artists‘ relationship over half a century and their interaction with friends and family. Recurring themes include : – Bell’s family, including husband, art critic Clive Bell, sons Julian and Quentin, and siblings Adrian Stephen, a psychoanalyst and Virginia Woolf, one of the key modernist writers; – Bell’s involvement with the Bloomsbury Group and other cultural figures, such as Russian mosaic artist Boris Anrep; painters Dora Carrington and Matthew Smith; the art critic, curator and painter Roger Fry (with whom Bell had an affair), his mistress Helen Anrep …
Simon Bussy), Lytton and Marjorie; civil servant Sydney
Letters from Vanessa Bell, née Stephen, to Duncan Grant, covering much of the artists‘ relationship over half a century and their interaction with friends and family. Recurring themes include : – Bell’s family, including husband, art critic Clive Bell, sons Julian and Quentin, and siblings Adrian Stephen, a psychoanalyst and Virginia Woolf, one of the key modernist writers; – Bell’s involvement with the Bloomsbury Group and other cultural figures, such as Russian mosaic artist Boris Anrep; painters Dora Carrington and Matthew Smith; the art critic, curator and painter Roger Fry (with whom Bell had an affair), his mistress Helen Anrep …
Simon Bussy), Lytton and Marjorie; civil servant Sydney
