This Audio Arts issue, originally published as an audio cassette magazine in 1994, features interviews with Joseph Kosuth, Mrinalini Mukherjee, T.S. Enkhjin and Mona Hatoum.
artist’s work in relation to the Indian tradition of relief
Similar material to TGA 9510/3/2 except that these documents are not numbered. Includes copy of Schwitters hand-written will, letters from Ernst Schwitters, letters from galleries, lists of works and press cuttings.
1959] Printed images of Schwitters’ works, ‘Merz Relief
‘Photographs and postcards showing Henry Scott Tuke house, studio and other buildings‘, collection owners: Thomas Cooper Gotch, Henry Scott Tuke, [c.1903–50] – part of the digitised collection of the Tate Archive
Gotch involved himself in the Newlyn Artists‘ Belgian Relief
It has been suggested that Moss developed this relief
Contains photographs of Tuke with members of his family, school fellows, friends and models.
Gotch involved himself in the Newlyn Artists‘ Belgian Relief
Alan Durst (1883-1970) was born in Alverstoke, Hampshire, and educated at Marlborough College. He then served in the Royal Marines until 1913, when he began to learn to carve ivory at the London County Council Central School. His interest in carving led him to Chartres where he became enamoured of stone. But the First World War intervened, and for five years he served at sea, and on demobilization became curator of the Watts Museum at Compton, Surrey. In 1920, he returned to London and the Central School, carving in stone and wood, particularly for architectural and decorative purposes. He exhibited …
1955 View by appointment Design for details of relief
‘Photographs and postcards showing Henry Scott Tuke house, studio and other buildings‘, collection owners: Thomas Cooper Gotch, Henry Scott Tuke, [c.1903–50] – part of the digitised collection of the Tate Archive
Gotch involved himself in the Newlyn Artists‘ Belgian Relief
Includes photographs, photograph albums and photographic negatives showing Henry Scott Tuke alone and with others, members of the Tuke family, friends and people associated with Tuke. Also includes photographs of boats, Tuke’s house and studio, and his paintings. Where known the name of the photographer has been recorded. Many photographs have been annotated on reverse by the donor, B.D. Price, identifying the sitters, the date of the photograph and with details of acquisition. Unless otherwise stated it is assumed that the annotations are by B.D. Price.
Gotch involved himself in the Newlyn Artists‘ Belgian Relief
Paula Rego makes prints at the Curwen Studio
you can draw images quickly so I’ve always found relief
Tate glossary definition: Artworks that do not attempt to represent an accurate depiction of a visual reality but instead use shapes, colours, forms and gestural marks to achieve its effect
during the 1950s and 1960s, this essay shows how her relief
