This Audio Arts issue, originally published as a compact disc magazine, includes contributions from Imogen Stidworthy, David Austen, Jemima Stehli, Gavin Turk, Katy Dove, Sarah Morris, Stella Vine and Simon English, recorded from the Liverpool Biennial in 2004.
the salmon pink of a final script to Liam Gillick’s musical
‘Contact sheet and negative roll number 124‘, collection owner: Nigel Henderson, [c.1949–c.1956] – part of the digitised collection of the Tate Archive
Photograph showing a crowd of people surrounding a musical
‘Contact sheet and negative roll number 144‘, collection owner: Nigel Henderson, [c.1949–c.1956] – part of the digitised collection of the Tate Archive
.1956] View by appointment Photograph showing a musical
New York, 12 November Dearest Annerl! Shortly after I wrote my last letter to you, Heinzl collapsed and almost died. He was in hospital for two weeks but he’s strong enough now to go back to the office and back to work. He was so incredibly brave. When I took him to hospital that night he was virtually in a coma with a high fever. The doctor said he couldn’t be absolutely certain that he’d make it through the night. And Heinzl sensed that. The following morning, as he lay there in bed, yellow and gaunt and pale, he laughed …
This evening Heinzl and I are going to a musical reception
You will need: Musical instruments if you have them
one very recognisable type of performance which is musical
films have rightly been discussed in relation to musical
‘The Reverse Collection’, Tarek Atoui, 2016
‘Ten Years Alive on the Infinite Plain’, Tony Conrad, 1972
‘Untitled #05 t/c‘, Haris Epaminonda, 2010
