Contains personal correspondence between Jacques Lipchitz and his relatives, friends, fellow artists, critics, journalists, galeries, transport agencies and other businesses.
Acquisition Presented to Tate Archive by Rubin Lipchitz, March
Contains personal correspondence between Jacques Lipchitz and his relatives, friends, fellow artists, critics, journalists, galeries, transport agencies and other businesses.
Acquisition Presented to Tate Archive by Rubin Lipchitz, March
Contains press cuttings in French, English, German, Russian, Spanish, Italian and Hebrew languages. Mostly on th exhibitions of Jacques Lipchitz works and interviews with him. One folder of especially interesting and rare press cuttings was selected by the cataloguer. It contains, in particular, press cuttings related to J. Lipchitz’s travel to the USSR in 1935 and the commissions obtained there, and several press cuttings related to J. Lipchitz’s at the Exposition Internationale Paris 1937. Some of this press cuttings were kept together before cataloguing, probably selected by J. Lipchitz himself or his brother Rubin Lipchitz. Some press cuttings were selected …
Acquisition Presented to Tate Archive by Rubin Lipchitz, March
This series includes notes and records relating to Surrealism, as well as writings and publications by others and some ephemera.
Renzio at the International Arts Centre, London, on 10 March
Items available online are the personal papers of Klaus Hinrichsen. During 1940-41 Hinrichsen was interned in Hutchinson Internment Camp, Isle of Man. The collection documents his time there comprising of camp newspapers, poems, photographs, articles and an identification badge. Also included are his writings on the artist Kurt Schwitters who was also interned in Hutchinson Internment Camp and became a close friend. Details of the remainder of the collection can be found on the Archive catalogue.
Hinrichsen for ‘The Camp II, Issue 5 Klaus Hinrichsen 16 March
Avaliable online is a selection of correspondence from Duncan Grant to Vanessa Bell regarding their relationship; their work; Charleston farmhouse and day to day activities. In many of the letters, Grant uses his nickname ‚Bear‘. Details of the remainder of this collection can be found on the archive catalogue.
Bell Duncan Grant, recipient: Vanessa Bell [16 March
Artist page for Johan Zoffany (1733–1810)
according to the diarist Farington in his entry for 14 March
A selection of journals collected by Jacques Lipchitz.
Acquisition Presented to Tate Archive by Rubin Lipchitz, March
This collection, which has now been digitised and made available to view online, includes primarily wood engravings, many of which were used to illustrate ‚Punch‘, and other similar publications, such as ‚Once a Week‘, by Charles Keene. These illustrations cover a substantial part of his career, dating from 1861 to 1888. Also available online are a number of preparatory pencil and ink studies that appear to have informed his wood engravings for ‚Punch‘, as well as etchings, including one early design for and illustration printed in Daniel Defoe’s book, ‚The Life and Surprising Adventures of Robinson Crusoe‘, published in 1847.
strict regard for truth’ Charles Samuel Keene 9 March
‘Letters from Marie Seton’, collection owner: Ronald Moody, 10 September 1940–24 October 1980 – part of the digitised collection of the Tate Archive
from London Ronald Moody, recipient: Marie Seton 2 March
