Dein Suchergebnis zum Thema: March

‘‘Correspondence to and from Jacques Lipchitz‘, collection owner: Jacques Lipchitz, 1915–72‘, collection owner: Jacques Lipchitz, 1915–72 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-897-1-1/correspondence-to-and-from-jacques-lipchitz?page=5

Contains personal correspondence between Jacques Lipchitz and his relatives, friends, fellow artists, critics, journalists, galeries, transport agencies and other businesses.
Acquisition Presented to Tate Archive by Rubin Lipchitz, March

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‘Correspondence and other papers relating to Roger Fry, Vanessa Bell, Clive Bell, Duncan Grant and others‘, collection owner: Charleston Trust (Lewes, UK), 1896–1960 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-8010/charleston-trust-correspondence-and-other-papers-relating-to-roger-fry-vanessa-bell-clive?page=33

Avaliable online is a selection of correspondence from Duncan Grant to Vanessa Bell regarding their relationship; their work; Charleston farmhouse and day to day activities. In many of the letters, Grant uses his nickname ‚Bear‘. Details of the remainder of this collection can be found on the archive catalogue.
Bell Duncan Grant, recipient: Vanessa Bell [31 March

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‘Correspondence between Jacob Epstein and his family with photographs of the artist, his family, his studio and his works‘, collection owner: Sir Jacob Epstein, 1948–70 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-8716/correspondence-between-jacob-epstein-and-his-family-with-photographs-of-the-artist-his?page=1

Available online are letters written by Jacob Epstein to his children, Peggy Jean and Jackie, and granddaughter, Leda, dated from 1948 to 1959. The letters discuss general news, his sculptures and family life. The collection also includes photographs of Epstein and his sculptures. Details of the remainder of the collection can be found on the Archive catalogue.
Sir Jacob Epstein, recipient: Peggy Jean Lewis 6 March

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‘Wood engravings and drawings by Charles Keene‘, collection owner: Charles Samuel Keene, 1846–90 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-766/wood-engravings-and-drawings-by-charles-keene

This collection, which has now been digitised and made available to view online, includes primarily wood engravings, many of which were used to illustrate ‚Punch‘, and other similar publications, such as ‚Once a Week‘, by Charles Keene. These illustrations cover a substantial part of his career, dating from 1861 to 1888. Also available online are a number of preparatory pencil and ink studies that appear to have informed his wood engravings for ‚Punch‘, as well as etchings, including one early design for and illustration printed in Daniel Defoe’s book, ‚The Life and Surprising Adventures of Robinson Crusoe‘, published in 1847.
impertinent thing on record’ Charles Samuel Keene 22 March

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‘Wood engravings and drawings by Charles Keene‘, collection owner: Charles Samuel Keene, 1846–90 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-766/wood-engravings-and-drawings-by-charles-keene?page=15

This collection, which has now been digitised and made available to view online, includes primarily wood engravings, many of which were used to illustrate ‚Punch‘, and other similar publications, such as ‚Once a Week‘, by Charles Keene. These illustrations cover a substantial part of his career, dating from 1861 to 1888. Also available online are a number of preparatory pencil and ink studies that appear to have informed his wood engravings for ‚Punch‘, as well as etchings, including one early design for and illustration printed in Daniel Defoe’s book, ‚The Life and Surprising Adventures of Robinson Crusoe‘, published in 1847.
Charles Samuel Keene 17 March 1888 View by appointment

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‘Records of readings of Surrealist poetry given by Ithell Colquhoun and Toni Del Renzio‘, collection owner: Ithell Colquhoun, [1942–4] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-929-6-2/records-of-readings-of-surrealist-poetry-given-by-ithell-colquhoun-and-toni-del-renzio

These readings were mostly of poetry by other surrealist authors, read alternately by Ithell Colquhoun and Toni del Renzio, with occasional pieces of their own work. The papers consist of manuscript and typescript lists of poems, and who will read them, and where the reading happened. They include Ithell’s notes on the occasion in 1943/1944 when their reading was disrupted by Mesens and other surrealists.
Renzio at the International Arts Centre, London, on 10 March

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‘‘Correspondence‘, collection owner: Ronald Moody, [April 1932]–17 April 2001‘, collection owner: Ronald Moody, [April 1932]–17 April 2001 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-956-1/moody-correspondence?page=4

This series consists of three sub-series: correspondence with family (including Helene Moody), correspondence with friends (including Marie Seton), and general correspondence which relates mainly to minor professional matters.
from Poona Marie Seton, recipient: Helene Moody 19 March

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