Five Ways to Paint a Body | Tate https://www.tate.org.uk/art/art-terms/f/figurative-art/five-ways-paint-body
With a close eye for detail ‚Nobody has ever looked
With a close eye for detail ‚Nobody has ever looked
Continuing our summer of colour season on Tate’s blog, we take a quick skip through colour theory, and how some of modern art’s giants – including Turner, Mondrian, Matisse, Klee and Malevich – have put it into practice
symbolic qualitites, 1809 Think of Turner in his London
[Translation/transcription] Karl Hartl Extraordinary Emissary and Authorised Minister Foreign Office Ballhausplatz 2 1010 Vienna This is his full title Dear Master Pepi, Please reply to Hartl, who’s an old friend. All my love, yours OK The Ambassador of Austria Professor Oskar KOKOSCHKA Villeneuve Vaud Switzerland Vienna 7 August 1969 My dear O.K. – Do enquire with your wife, who doubtless has command of the Bohemian language: there’s a proverb in the language of that region which, approximately translated, says: ‚If my grandmother is without a care, she buys herself a sow.‘ Only it sounds far nicer in the Czech. I …
asked me what I actually do, I replied: ‚I keep an eye
Succession Marcel Duchamp/ADAGP, Paris and DACS, London
Page 1, front, road map with arrows Page 1, back, list of names and detail of a penis Page 2, anatomical studies and notes on bones Page 3, surrealist composition in which two soldiers stand in a landscape composed of organs of the body Page 4, two brain sections Page 5, notes about nerves Page 6, head and shoulders of a soldier Page 7, man sitting on a bed Page 8, study of a soldier wearing a coat seen from behind Page 9, similar study to page 8 Page 10, soldier wearing a coat with large lapels Page 11, man …
pointed nose and a small chin Page 13, study of an eye
bits which were fabricated in Brazil and sent to London
varnish had been applied by the Gillespie Studio in London
Tate glossary definition for photography: The process or practice of creating a photograph – an image produced by the action of light on a light-sensitive material
Artist’s Rights Society (ARS), New York and DACS, London
Watch Phillip King in his studio as he works on his sculpture recoil
really quite difficult to describe, to do with the eye
in the oil No underdrawing is visible with the eye