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Two Hounds Chasing a Hare c.1700, attributed to James Hamilton | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/two-hounds-chasing-a-hare-c1700-attributed-to-james-hamilton

in opaque beige and grey paint, probably to give a cooler

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Portrait of a Man in Classical Dress, possibly Philip Herbert, 4th Earl of Pembroke c.1610 by Marcus Gheeraerts II | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-man-classical-dress-possibly

dark area will cause the overlying colour to appear cooler

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Portrait of Captain Thomas Lee 1594 by Marcus Gheeraerts II | Tate

https://www.tate.org.uk/about-us/projects/tudor-stuart-technical-research/entries/portrait-captain-thomas-lee-1594

dark area will cause the overlying colour to appear cooler

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How to spin the colour wheel, by Turner, Malevich and more | Tate

https://www.tate.org.uk/art/artists/joseph-mallord-william-turner-558/how-spin-colour-wheel-turner-malevich-and-more

Continuing our summer of colour season on Tate’s blog, we take a quick skip through colour theory, and how some of modern art’s giants – including Turner, Mondrian, Matisse, Klee and Malevich – have put it into practice
warm, popping yellow are offset by larger areas of cooler

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Dein Suchergebnis zum Thema: Cool