‘Memory Bridge‘, Marcelo Brodsky, 1996 | Tate https://www.tate.org.uk/art/artworks/brodsky-memory-bridge-t14275
‘Memory Bridge‘, Marcelo Brodsky, 1996
Photo: Guillermo Kexel, 1983) León Ferrari 1995–6, 2007 View by appointment Buenos
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‘Memory Bridge‘, Marcelo Brodsky, 1996
Photo: Guillermo Kexel, 1983) León Ferrari 1995–6, 2007 View by appointment Buenos
‘Entrance to the Naval Headquarters + ‘Vulture’, Engraving from the Nouveau Larousse Illustré, c. 1900‘, León Ferrari, 1995–6, 2007
by Leonardo da Vinci, 1489 León Ferrari 1995–6, 2007 View by appointment Buenos
‘Entrance to the Military Headquarters + Military Decoration from the Third Reich‘, León Ferrari, 1995–6, 2007
by Leonardo da Vinci, 1489 León Ferrari 1995–6, 2007 View by appointment Buenos
‘Engraving by Jan Luy Ken from the Series ‘Religious Persecutions’, 17th Century + Photograph of the Police Doctor Jorge Bergés + ‘Never Again’, p. 139‘, León Ferrari, 1995–6, 2007
Last Judgment’ by Memling León Ferrari 1995–6, 2007 View by appointment Buenos
‘Hitler + The ‘Casa Rosada’ + Videla‘, León Ferrari, 1995–6, 2007
by Leonardo da Vinci, 1489 León Ferrari 1995–6, 2007 View by appointment Buenos
Tate glossary definition for spazialismo: Italian movement started by the Argentine-born Italian artist Lucio Fontana in 1947 who, in its manifesto, stated that art should embrace science and technology
developed the ideas of the Manifiesto Blanco issued at the Altamira Academy in Buenos
Tate glossary definition for spazialismo: Italian movement started by the Argentine-born Italian artist Lucio Fontana in 1947 who, in its manifesto, stated that art should embrace science and technology
developed the ideas of the Manifiesto Blanco issued at the Altamira Academy in Buenos
‘Third Reich Concentration Camp + Emblem of the Armed Forces‘, León Ferrari, 1995–6, 2007
by Leonardo da Vinci, 1489 León Ferrari 1995–6, 2007 View by appointment Buenos
‘Designs and sketches‘, collection owner: Alan L. Durst, 1919–60 – part of the digitised collection of the Tate Archive
for instance, his work was shown at the Venice Biennale, the Duveen Exhibition at Buenos
Artist page for Sir Herbert Hughes-Stanton (1870–1937)
by collections including the Tate; the Welsh National Gallery; National Musée, Buenos