Column: Press, Pictures and the Public – DHM-Blog | Deutsches Historisches Museum https://www.dhm.de/blog/2017/08/17/press-pictures-and-the-public/
John Dominis’s powerful “Black Power Salute” of two
John Dominis’s powerful “Black Power Salute” of two
Antiquitäten BRD 1965, R/B/P: Marran Gosov, K: Konrad Kotowski, Klaus Müller-Laue, M: Hans Posegga, 10’ · 35mmDas Denkmal BRD 1965, R/B/P: Marran Gosov, K: Klaus Müller-Laue, M: Hans Posegga, D: Walter Gnilka, Marran Gosov, 9’ · 35mmIris auf der Bank BRD 1965, R/B: Marran Gosov, K: Jaime Pacheco, M: Hans Posegga, D: Roger Fritz, Iris Gras, Heidi Haffenrichter, 9’ · 35mmNach Frankfurt BRD 1966, R/B/P: Marran Gosov, K: Jaime Pacheco, M: Hans Posegga, D: Klaus Lea, Helmut Hanke, 9’ · 35mm… und dann bye-bye BRD 1966, R/B/P: Marran Gosov, K: Christian Blackwood, D: Stanislav Ledinek, Nora Minor, Eric Pohlmann, 13’ · 35mmPower Slide BRD 1966, R/B/M/P: Marran Gosov, K: Hubs Hagen, Niklaus Schilling, D: Volker Waitzenegger, Ali Nassert, Frithjof Lenz, 13’ · 35mmSabine 18 BRD 1967, R/B/P: Marran Gosov, K: Hubs Hagen, Niklaus Schilling, M: Lee Shane, D: Veruschka Mehring, Martin Müller, Sabine A. Wengen, Klaus Lemke, 12’ · 35mm
Stanislav Ledinek, Nora Minor, Eric Pohlmann, 13’ Power
The Power of Images, Queer Art and Politics, a project
superiority of Nazi Germany over Great Britain’s naval power
Revolution, the abdication of the Tsar and the coming to power
this case, President von Weizsäcker made use of his power
by means of water or windmills or through animal power
of his own, in the background the Stendal nuclear power
culture, intentionally implemented to express princely power
hand, is driven by a different force entirely – the power