Dein Suchergebnis zum Thema: Banjo

‘‘Photographs by Marc Vaux (Paris, 114 bis Rue de Vaugirard)‘, collection owner: Jacques Lipchitz, 1911–57‘, collection owner: Jacques Lipchitz, 1911–57 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-897-7-2-2/lipchitz-photographs-by-marc-vaux-paris-114-bis-rue-de-vaugirard

Photographs bearing the stamp with the address ‚114 bis Rue de Vaugirard‘ are later than the photographs with the stamp ’23 Avenue du Maine‘. The titles of works are either taken from the inscriptions on the back or identified from two catalogues raisonnes, ‚The sculptures of Jacques Lipthitz‘ and ‚Jacques Lipchitz: Plasters‘.
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‘‘Photographs of sculptures made by known photographers‘, collection owner: Jacques Lipchitz, 1911–57‘, collection owner: Jacques Lipchitz, 1911–57 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-897-7-2/lipchitz-photographs-of-sculptures-made-by-known-photographers

Includes photographs of sculptures, plasters and models which were taken in professional studios. The titles of the works are either taken from the inscriptions on the back or identified from catalogues raisonnes, ‚The sculptures of Jacques Lipthitz‘ and ‚Jacques Lipchitz: Plasters‘.
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‘‘Photographs‘, collection owner: Jacques Lipchitz, 1910–57‘, collection owner: Jacques Lipchitz, 1910–57 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-897-7/lipchitz-photographs?page=3

Contains mainly photographs of the clay models for Lipchitz’s early sculptures. Many of the models and resulting sculptures were destroyed or lost. Most of the photographs bear a photographic atelier name and the title of the work on the back.
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‘‘Personal and professional papers of Jacques Lipchitz‘, collection owner: Jacques Lipchitz, 1910–73‘, collection owner: Jacques Lipchitz, 1910–73 – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-897/personal-and-professional-papers-of-jacques-lipchitz?page=21

Jacques Lipchitz (22 August 1891-26 May 1973) was a French-American sculptor of the Cubist style. He was born to a Jewish family in Druskieniki, present day Lithuania, then a part of the Russian Empire. In 1909 he moved to Paris to study sculpture and, with some short gaps, stayed there until his emmigration to the USA in 1942. Lipchitz retained highly figurative and legible components in his work leading up to 1915-16, after which naturalist and descriptive elements were muted, and dominated by a synthetic style of Crystal Cubism. In 1920 Lipchitz held his first solo exhibition, at Léonce Rosenberg’s …
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‘‘Contact sheet and negative roll number 126‘, collection owner: Nigel Henderson, [c.1949–c.1956]‘, collection owner: Nigel Henderson, [c.1949–c.1956] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-201011-3-1-128/henderson-contact-sheet-and-negative-roll-number-126

‘Contact sheet and negative roll number 126‘, collection owner: Nigel Henderson, [c.1949–c.1956] – part of the digitised collection of the Tate Archive
Photograph showing a street entertainer performing with a banjo

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‘‘Contact sheet and negative roll number 131‘, collection owner: Nigel Henderson, [c.1949–c.1956]‘, collection owner: Nigel Henderson, [c.1949–c.1956] – Tate Archive | Tate

https://www.tate.org.uk/art/archive/tga-201011-3-1-133/henderson-contact-sheet-and-negative-roll-number-131

‘Contact sheet and negative roll number 131‘, collection owner: Nigel Henderson, [c.1949–c.1956] – part of the digitised collection of the Tate Archive
Photograph os a street entertainer performing on a banjo

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